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Monday, February 19, 2007


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I thought that *Acacia* was an interesting movie except for one thing. *Acacia* moves very slow.

A childless couple decides to adopt a child. They go to the orphanage to adopt. The wife sees a painting on the wall. The painting is very similar to Edvard Munch's "The Scream". In this dark painting, the screaming man is surrounded by trees. The wife inquires about its artist and insists on meeting this child.

The adoption goes smooth. The family is trying to bond with one another. The boy takes an immediate fascination with the couple's leaf-less acacia tree in the backyard. From this point on, we start to see that the boy is eccentric in his talks and in his behaviorism. He truly believes that his real folks are inside the tree or rather, they are the tree.

Despite his odd ways, the mother defends him. However, the mother's mother clearly doesn't like the adopted boy. She takes advantage of any opportunity to point out his flaws. Meanwhile, the father's father tells him interesting tidbits about nature and tries to get him involves in little projects. The girl, next door, seems to be the only one who truly accept him as she is a little odd herself.

Things change when the mother finds out that she's pregnant. The adopted boy becomes detached from everyone, even from the girl. Then, one rainy night, he disappears. The parents do not call the police because they assumed that he would return.

So, where did he go? Did he merge with the tree in the backyard? Is he haunting them?

There were some interesting scenes in this film. Overall, I thought it was one of the best Asian horror movies that I've seen. The only bad part about it was that it moves painfully slow.